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(solution) 17. Pierrot lunaire, No. 8: "Night," p. 327 The performing


17.      Pierrot lunaire, No. 8: ?Night,? p. 327

The performing forces in ?Night? in Pierrot lunaire consist of:

  a.      voice, bass clarinet, and piano.

  b.      voice, cello, and piano.

  c.      voice, cello, bass clarinet, and piano.

  d.      voice, two violas, and piano.

18.      Pierrot lunaire, No. 8: ?Night,? p. 327

?Night? in Pierrot lunaire is:

  a.      atonal.

  b.      in a major mode.

  c.      in a minor mode.

  d.      based on the octatonic scale.

21.      Pierrot lunaire, No. 18: ?The Moonfleck,? p. 327

The performing forces in ?The Moonfleck? in Pierrot lunaire consist of:

  a.      voice, piano, and woodwinds.

  b.      voice, piano, and strings.

  c.      voice, piano, woodwinds, and strings.

  d.      voice, piano, percussion, and woodwinds.

25.      Wozzeck, Act III, Scene iii, p. 330

The performing forces in Act III, scene iii of Wozzeck consist of:

  a.      full orchestra and ragtime piano.

  b.      voices, full orchestra, and ragtime piano.

  c.      voices, banjo, piano, and full orchestra.

  d.      full orchestra and voices.

27.      Wozzeck, Act III, Scene iii, p. 330

What seems disturbingly out of place in scene iii of Act III of Wozzeck, but contributes to
the mood and setting?

  a.      the voice

  b.      the string melody

  c.      the French horn melody

  d.      the piano part

34.      Second Orchestral Set, second movement: ?The Rockstrewn Hills Join in the People?s Outdoor Meeting,? p. 336

The performing forces in ?The Rockstrewn Hills Join in the People?s Outdoor Meeting? consist of:

  a.      strings, woodwinds, and piano.

  b.      strings, woodwinds, and percussion.

  c.      a choir, strings, woodwinds, brass, and percussion.

  d.      strings, woodwinds, brass, percussion, and piano.

35.      Second Orchestral Set, second movement: ?The Rockstrewn Hills Join in the People?s Outdoor Meeting,? p. 336

Which is true of ?The Rockstrewn Hills Join in the People?s Outdoor Meeting??

  a.      The meter is constant and stable.

  b.      Themes are stated in their entirety, then varied.

  c.      Themes are generally fragmentary, like sound bites.

  d.      The accompaniment never intrudes on the themes, but always assumes a secondary role.

 


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